Sunday, September 30, 2018

Week 7: Beyoncé

Beyoncé - "Run the World (Girls)" (US #29, 2011)

Week 7: Beyoncé
Mon 10.1/Wed 10.3
Read: OWEN—Pg. 101 - 200
Class: Reading discussion; Multimedia presentations
Due: REFLECTION 4

Upcoming:

Week 8: Dolly Parton
Mon 10.8/Wed 10.10
Read: BRAIN—“I Love Music and I Love Science—Why Would I Want to Mix the Two?” – “Behind the Curtain”
Class: SHORT ANSWER RESPONSES; Reading discussion; Multimedia presentations
Due: REFLECTION 5

Monday, September 24, 2018

Reflection 4: We Are(n't) the World—Exploring International Music


Despite "Fake Love's" recent success, we don't often get the opportunity to hear non-English music on American commercial radio. While we might hear the occasional song sung partially in another language (e.g. "Macarena," "Time to Say Goodbye," "Bailamos," "Gangnam Style's" ), songs sung entirely in a foreign language are still rare (e.g. "La Bamba," "Bamboleo"). However, that's not the case around the world, where foreign language songs, including American music, routinely become hits in a number of markets. But Americans are notoriously resistant to songs that aren't in English. So, while the rest of the world gets to hear a variety of international artists, Americans are largely limited to music from English-speaking countries (e.g. the UK, Canada, Australia). 

For this reflection, you'll take a musical trip around the world. First, go to PopVortex's iTunes International Charts page, which compiles Apple music sales worldwide. Next, choose three non-English-speaking countries, and spend some time sampling the local musical fare. As you do, consider what are these countries' musical tastes are at this moment, and to what degree American music has penetrated their charts. Finally, do you you believe any of the music you sampled could have a shot at success in America? Why or why not?

    Mechanics:
    • 1-1.5 pages in length
    • MLA Style
    • Works cited page

      Due: Thu 10.4


      Sunday, September 23, 2018

      Week 6: Adele

      Adele, "Someone Like You" (US #1, 2011)

      Week 6: Adele
      Mon 9.24/Wed 9.26*
      *No class

      Read: OWEN—Pg. 51 – 100 
      Listen: DB—An Owen Noone Playlist
      Class: Reading discussion; Multimedia presentations

      Upcoming:

      Week 7: Beyoncé
      Mon 10.1/Wed 10.3
      Read: OWEN—Pg. 101 - 200
      Class: SHORT ANSWER RESPONSES; Reading discussion; Multimedia presentations
      Due: REFLECTION 4 

      Monday, September 17, 2018

      Autobiographical: Six Songs of Me


      Here is your autobiographical assignment:

      In class on Wednesday:
      1. In class, identify six songs which define you as a person. 
      2. In short answer responses (8-10 sentences each), write about THREE of your chosen six songs. Be sure to explain the personal significance of each song.
      Due Monday:
      1. At home, translate your understanding of ONE of the remaining three songs in a drawing.

      Examples:
      • “If I Loved You” from Carousel (1945): The first time I heard this song I cried. Maybe, it had something to with the fact that Kevin Borland broke my heart just a few days earlier, but who can say. All I know is that when Ms. Baxter played the song in Drama, gauging our interest in Carousel for the next play, it was as if this song was written specifically for me. Immediately, I started to cry—and I couldn’t stop. It wasn’t an ugly cry, but it wasn’t a cry that people didn’t notice, either. The song is about a doomed, but hypothetical, relationship. It is not only a song about heartbreak, but specifically, the heartbreak that come’s from regret: “Longin' to tell you / But afraid and shy / I'd let my golden chances pass me by.” Today, Kevin is a distant memory; I can’t believe I shed a single tear for that boy. But “If I Loved You” has stayed with me, deep in my heart. It reminds me that in life (including relationships), having tried, and failed, is better than having never tried at all. I’m determined not to let any golden chances pass me by.
      •  
      • Western Stars” by k.d. lang (1988): I grew up in the Coachella Valley of Southern California. But my Coachella isn’t hipsters and Daf Punk, it’s craggy mountains and the warm Santa Ana Winds. The desert is my home and “Western Stars” takes me back every time I hear it. The song is about the loneliness of the desert, under a star-filled sky: “Western stars light up the sky / hear the desert wind roll by / Tonight, tonight / Western stars can break your heart / they keep shining when we're apart / Tonight, tonight.” I remember those stars. They really do light up the sky. To me, “Western Stars” is about my home in the desert, where I’m basking in the most beautiful lights you’ve ever seen.

      Sunday, September 16, 2018

      Week 5: Tony Bennett

      Tony Bennett, "Fly Me to the Moon" (from MTV Unplugged), 1994

      Week 5: Tony Bennett
      Mon 9.17/Wed 9.19
      Read: OWEN—Pg. 1 – 50
      Class: AUTOBIOGRAPHICAL; Multimedia presentations
      Due: REFLECTION 3

      Upcoming:

      Week 6: Adele
      Mon 9.24/Wed 9.26*
      *No class
      Read: OWEN—Pg. 51 – 100 
      Listen: DB—An Owen Noone Playlist
      Class: Reading discussion; Multimedia presentations


      Tuesday, September 11, 2018

      Reflection 3: As Heard on TV—The Music of Commercials

      Let's face it, music can have great influence over us and that includes the ability to sell us things. Advertisers have known this for decades, which is why TV  commercials have been laden with music since the early days of radio. Today, music is still an integral part of commercials. Advertisers work diligently to find music that enhances the appeal of a product, knowing that pairing the right song with the right product can result in increased profits. Additionally, many artists' songs have been resurrected, or plucked from obscurity, after being placed in a major commercial. For many artists, having "that song from that commercial" can translate into a considerable bump in album sales. For this reflection, you will examine three of the following commercials to assess the overall impact music has in the ads. (Note we are not looking at songs that are modified for a particular campaign, but songs that are used in their original form in order to help sell you something.) Each of these songs was chosen for a reason. But what do you think those reasons were? What likely was the desired effect? How is the product enhanced by this music? If you are already familiar with the song, how does your prior knowledge affect your appreciation of the ad or the product? Finally, do songs in television advertising ever influence your own purchase of products?
       
      Choose three of the following ads for your analysis:
        Mechanics:
        • 1-1.5 pages in length
        • MLA Style

        Due: Wed 9.19


        Sunday, September 9, 2018

        Week 4: Sam Smith

        Sam Smith, "I'm Not the Only One" (2014, US #5)

        Week 4: Sam Smith
        Mon 9.10/Wed 9.12
        Read: eR—"Gen Xers, Millennials Sound Off On The Music That Moves Them" (NPR), “Does Music Define You?” (NPR), “Six Songs of Me” (GuardianMusic), “This is the Song That Defines Your Life (According to Some Random Twitter Person)” (Washington Post)
        Class: Lecture—“You’re in College Now: The New Rules of University Writing`” and “Citing Sources in MLA: The Basics”

        Upcoming:

        Week 5: Tony Bennett
        Mon 9.17/Wed 9.19
        Read: OWEN—Pg. 1 – 50
        Class: AUTOBIOGRAPHICAL; Multimedia presentations
        Due: REFLECTION 3 
         

        Monday, September 3, 2018

        Multimedia Presentations

        This semester, you and a partner (or partners) will be responsible for a 10-minute multimedia presentation.

        Requirements:
        • The presentation must be approximately 10 minutes in length 
        • There should be 10-12 slides (including introduction and conclusion) and should contain least one video clip—absolutely no more than three minutes in length 
        • On the day of your presentation, email your presentation (or a link) to me at dhdelao@gmail.com

        You may utilize any presentation program you like (e.g PowerPoint, Prezi, Keynote). However, please sort out any technical issues before your presentation date (our room's projection system can be found throughout campus).

        The best presentations will:
        • Have an introductory slide which contextualizes the topic—very important Use words economically 
        • Include visually interesting illustrations—gifs are also acceptable 
        • Avoid a heavy use of animation and effects 
        • Have a style that complements the subject matter and strikes the appropriate tone 
        • Engage the class through a conversational style, utilizing questions and/or activities 
        • Embed a relevant video or audio clip (e.g. YouTube)—ad blockers are time savers 
        • Conclude with a slide that summarizes the topic—also very important 

        This is an opportunity to be creative, so feel free to have fun with the visual design of your presentation.

        Lower scoring presentations might:
        • Begin without an introductory slide and/or fail to offer any context upfront 
        • Be thinly researched 
        • Allow visuals to overrun their content or lack a cohesive style 
        • Fail to engage the class in any meaningful way—this is often achieved by reading an entire presentation 
        • Lack multimedia 
        • End without a concluding slide

        Remember, you must provide your own laptop. Also, Macs will require an Apple-specific adapter to connect to the university’s projection system. Newer model PCs with HDMI-only connections will also require special adapters.

        Also:
        • You must present from a downloaded version of your presentation (e.g. PowerPoint, Keynote); DO NOT present directly from Google Docs online 
        • Presentations without an introduction and/or conclusion cannot score higher than a C 
        • You may be docked for a lack of preparedness

        Topics:
        1. Explicit Content: The History of the Parental Advisory Label 
        2. Feed the World: All About Live Aid 
        3. Buddy Holly, Ritchie Valens, The Big Bopper, and the Day the Music Died 
        4. K-pop 101
        5.  If You’re Going to San Francisco: The Music of the Summer of Love 
        6. Go, Man Go: The Legacy of West Side Story 
        7. Game Changers: Nirvana's Nevermind 
        8. Hittin’ It Big (Except in America): X Japan, Robbie Williams, and Tokio Hotel 
        9. Knowing Me, Knowing You: The Story of ABBA
        10. Game Changers: The Jimi Hendrix Experience's Are You Experienced 
        11. The Left/Right Divide: What Music Do Liberals and Conservatives Listen to?
        12. Eurovision 101 
        13. Les géants de la musique Française: Charles Aznavour, Maurice Chevalier, and Edith Piaff 
        14. Is That Really a Thing?: Nintendocore, Chap Hop, and Pirate Metal 
        15. Beyond the Hood: The Hip Hop of Japan’s YDIZZY, Brazil’s Karol Conká, and Britain’s Rizzle Kicks 
        16. There’s a Light: The Legacy of The Rocky Horror Picture Show 
        17. The Founding Sistas of Hip Hop: MC Lyte, Salt-N-Peppa, and Monie Love 
        18. Mariachi 101 
        19. Music in the Classroom: A Crisis 
        20. Inside the World of Bollywood Musicals 
        21. The Holy Sites of Rock: Graceland, Woodstock, and The Apollo 
        22. Totally Bitchin’: All About New Wave 
        23. #mexmoz: Why Mexicans Love Morrissey 
        24. Blonde Ambition: Three Decades of Madonna 
        25. The Michael Jackson Music Video Experience: Thriller, Black or White, and Scream 
        26. Not Throwin' Away My Shot: The Story of Hamilton

        Sec. 1:

        Week 6: Wed 9.26
        1.  Daisy G, Michael H, and Analiese L - Not Throwin' Away My Shot: The Story of Hamilton
        2. Joseph B, David C - The Michael Jackson Music Video Experience: Thriller, Black or White, and Scream
        Week 7: Mon 10.1/Wed 10.3
        1.  Terry H, Shuyang L, and Davis L - Blonde Ambition: Three Decades of Madonna
        Week 8: Mon 10.8/Wed 10.10
        1.  Charles C, Jayden B - Eurovision 101
        Week 9: Mon 10.15/Wed 10.17
        1.  Jasmine M, Sunny M - Explicit Content: The History of the Parental Advisory Label
        Week 10: Mon 10.22/Wed 10.24
        1.  Keeghan A, Paul C, and Kelly- Game Changers: Nirvana's Nevermind
        Week 11: Mon 10.29
        1.  Ryan R, Kevin T, Julia M - There’s a Light: The Legacy of The Rocky Horror Picture Show
        Week 12: Mon 11.5/Wed 11.7
        1.  Kyle T, Bowen Z - K-pop 101
        Week 15: Mon 11.26/Wed 11.28
        1.  Andres C, Brandon L - The Left/Right Divide: What Music Do Liberals and Conservatives Listen to?

        Sec. 7:

        Week 6: Wed 9.26
        1.  William C, Diana G, and Simar G - K pop 101
        Week 7: Mon 10.1/Wed 10.3
        1. Alyssa A, Mel B - Mariachi 101
        2. Spencer G, Kelsey G, and Kendall R - Eurovision 101
        Week 8: Mon 10.8/Wed 10.10
        1.  Dan L, Isabel O - Explicit Content: The History of the Parental Advisory Label 
        2. Alyssiana H, Joshua V - The Michael Jackson Music Video Experience: Thriller, Black or White, and Scream
        Week 9: Mon 10.15/Wed 10.17
        1. Joanna R, Tommy T, and Chloe L - Game Changers: Nirvana's Nevermind 
        2. Diljot S, Sally T - Not Throwin' Away My Shot: The Story of Hamilton
        Week 10: Mon 10.22/Wed 10.24
        1. Alfredo L, Zara S - Game Changers: The Jimi Hendrix Experience's Are You Experienced 
        2. Yun L, Kenny T - Is That Really a Thing?: Nintendocore, Chap Hop, and Pirate Metal
        Week 11: Mon 10.29
        1. Dat T, Joshua K - The Left/Right Divide: What Music Do Liberals and Conservatives Listen to?

        Sunday, September 2, 2018

        Week 3: Madonna

        Madonna, "Take a Bow" (1994, US #1)

        Week 3: Madonna
        Mon 9.3*/Wed 9.5
        *No Class—Labor Day
         
        Class: Presentation partner and topic assignments; Lecture—“Building a Better Multimedia Presentation: An Annotated Look”
        Due: REFLECTION 2

        Upcoming:

        Week 4: Sam Smith
        Mon 9.10/Wed 9.12
        Read: eR—"Gen Xers, Millennials Sound Off On The Music That Moves Them" (NPR), “Does Music Define   You?” (NPR Music), “Six Songs of Me” (GuardianMusic), “This is the Song That Defines Your Life (According to Some Random Twitter Person)” (Washington Post)
        Class: DIAGNOSTIC; Lecture—“You’re in College Now: The New Rules of University Writing`” and “Citing Sources in MLA: The Basics”
        Due: REFLECTION 3